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		<title>IG II(2) 11887: Painted sepulchral stele of Kollion - Revision history</title>
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		<updated>2026-05-07T00:33:43Z</updated>
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		<id>https://ukepigraphy.humanities.manchester.ac.uk/index.php?title=IG_II(2)_11887:_Painted_sepulchral_stele_of_Kollion&amp;diff=571&amp;oldid=prev</id>
		<title>Admin ukepig: Created page with &quot;Category:Broom Hall   &#039;&#039;&#039;Modern Publication(s):&#039;&#039;&#039; Michaelis no. 16; &#039;&#039;IG&#039;&#039; II 3869; &#039;&#039;IG&#039;&#039; II(2) 11887; Clairmont, &#039;&#039;Classical Attic Tombstones&#039;&#039; 0.836; &#039;&#039;SEG&#039;&#039; LII 64, 1...&quot;</title>
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				<updated>2015-07-22T13:49:18Z</updated>
		
		<summary type="html">&lt;p&gt;Created page with &amp;quot;&lt;a href=&quot;/index.php/Category:Broom_Hall&quot; title=&quot;Category:Broom Hall&quot;&gt;Category:Broom Hall&lt;/a&gt;   &amp;#039;&amp;#039;&amp;#039;Modern Publication(s):&amp;#039;&amp;#039;&amp;#039; Michaelis no. 16; &amp;#039;&amp;#039;IG&amp;#039;&amp;#039; II 3869; &amp;#039;&amp;#039;IG&amp;#039;&amp;#039; II(2) 11887; Clairmont, &amp;#039;&amp;#039;Classical Attic Tombstones&amp;#039;&amp;#039; 0.836; &amp;#039;&amp;#039;SEG&amp;#039;&amp;#039; LII 64, 1...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[Category:Broom Hall]]&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Modern Publication(s):&amp;#039;&amp;#039;&amp;#039; Michaelis no. 16; &amp;#039;&amp;#039;IG&amp;#039;&amp;#039; II 3869; &amp;#039;&amp;#039;IG&amp;#039;&amp;#039; II(2) 11887; Clairmont, &amp;#039;&amp;#039;Classical Attic Tombstones&amp;#039;&amp;#039; 0.836; &amp;#039;&amp;#039;SEG&amp;#039;&amp;#039; LII 64, 193; &amp;#039;&amp;#039;SEG&amp;#039;&amp;#039; LVIII 29&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Brief description:&amp;#039;&amp;#039;&amp;#039; Painted sepulchral stele&lt;br /&gt;
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== Attributes ==&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Inscription Type:&amp;#039;&amp;#039;&amp;#039; Funerary&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Object Type:&amp;#039;&amp;#039;&amp;#039; Stele with triangular top (Michaelis).&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Material:&amp;#039;&amp;#039;&amp;#039; ‘Pentelic’ marble ‘of superior quality.’ (Michaelis)&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Original Location:&amp;#039;&amp;#039;&amp;#039; &lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Provenance:&amp;#039;&amp;#039;&amp;#039; Athens/Attica&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Date:&amp;#039;&amp;#039;&amp;#039; 410-400 BC (Posamentir 2006).  &lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Dimensions:&amp;#039;&amp;#039;&amp;#039; H. 0.61. W. 0.255.&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Layout:&amp;#039;&amp;#039;&amp;#039; &lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Writing:&amp;#039;&amp;#039;&amp;#039; : Inscribed. ‘[B]eneath a painted &amp;#039;&amp;#039;kymation&amp;#039;&amp;#039;…is an inscription in roughly cut letters of irregular shape ΚΟΛΛΙΩΝ.’ (Michaelis). The text was inscribed over an erasure: Posamentir (2001), through the use of specialist photography, shows that the second line of the earlier text read ΕΡΜΑ[ ]Ο (the patronymic Ἑρμα[ί]ο (&amp;#039;&amp;#039;SEG&amp;#039;&amp;#039; LII 64)). &lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Condition:&amp;#039;&amp;#039;&amp;#039; Broken into two and re-joined; missing only the bottom left corner (Conze). &lt;br /&gt;
 &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Decoration:&amp;#039;&amp;#039;&amp;#039; ‘The whole slab is plain, without any part sculptured in relief… The field at first appears to be empty, but on closer inspection [are] the outlines of a very nice composition, the ground around the figures being corroded by the weather. To the right, a youth stands in a gentle attitude; he is naked, except for a small chlamys, which covers like a shawl the left shoulder and arm, and the right arm. The left hand holds a staff which leans slantwise on the upper arm. In the outstretched right hand the youth holds a small bird. He looks down to a small boy sitting on the ground, who leans on his left arm and endeavours to lift his body; he looks upwards and stretches out his right arm, desirous to grasp the bird.’ (Michaelis). &lt;br /&gt;
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== Collection ==&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Location:&amp;#039;&amp;#039;&amp;#039; Broom Hall (Scotland, Fife): along the walls of the spacious hall (Michaelis). &lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Collector(s):&amp;#039;&amp;#039;&amp;#039; Lord Elgin.&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Date collected:&amp;#039;&amp;#039;&amp;#039; Not known. T. S. Hughes, &amp;#039;&amp;#039;Travels in Sicily, Greece and Albania&amp;#039;&amp;#039; (p. 267, 269) includes a description of the stele among those items he copied down in Lusieri’s Athenian courtyard. Michaelis noted that ‘as the marble chair [as well as some other marbles] did not form part of Elgin’s collection offered for sale to the nation in 1816, it may have been brought to Scotland at a later time’.&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Accession or catalogue number:&amp;#039;&amp;#039;&amp;#039; Not known. &lt;br /&gt;
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== Translation ==&lt;br /&gt;
Kollion&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
C. Clairmont, &amp;#039;&amp;#039;Classical Attic Tombstones: Introduction&amp;#039;&amp;#039; (Kilchberg, Switzerland 1993) 202. &lt;br /&gt;
&lt;br /&gt;
C. Clairmont, &amp;#039;&amp;#039;Classical Attic Tombstones&amp;#039;&amp;#039; vol. 1 (Kilchberg, Switzerland 1993). &lt;br /&gt;
&lt;br /&gt;
A. Conze, &amp;#039;&amp;#039;Die attischen Grabreliefs&amp;#039;&amp;#039; (Band II, Text) (Berlin 1900) no. 1049.&lt;br /&gt;
&lt;br /&gt;
A. Conze, &amp;#039;&amp;#039;Die attischen Grabreliefs&amp;#039;&amp;#039; (Band II, Tafeln) (Berlin 1900) plate CCVI.  &lt;br /&gt;
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T. S. Hughes, &amp;#039;&amp;#039;Travels in Sicily, Greece and Albania&amp;#039;&amp;#039; (London 1820) p. 267, 269. &lt;br /&gt;
&lt;br /&gt;
A. Michaelis, ‘Ancient marbles in Great Britain: Supplement I’, &amp;#039;&amp;#039;JHS&amp;#039;&amp;#039; 5 (1884) &lt;br /&gt;
143-161 no. 16.&lt;br /&gt;
&lt;br /&gt;
‪R. Posamentir, &amp;#039;Zur Wiedergewinnung und Bedeutung bemalter Grabstelen im klassischen Athen&amp;#039;, &amp;#039;&amp;#039;Les pierres de l&amp;#039;offrande: autour de l&amp;#039;oeuvre de Christoph W. Clairmont&amp;#039;&amp;#039;‬ ed. G. Hoffmann and A. Lezzi-Hafter (Paris 2001) 52-65 (62-63). ‬‬‬‬‬‬&lt;br /&gt;
&lt;br /&gt;
R. Posamentir, &amp;#039;&amp;#039;Bemalte attische Grabstelen klassischer Zeit&amp;#039;&amp;#039; (Munich 2006) 37-40; no. 21. &lt;br /&gt;
&lt;br /&gt;
B. Schmaltz, &amp;#039;&amp;#039;Griechische Grabreliefs&amp;#039;&amp;#039; (Darmstadt 1983) 89; n. 202. &lt;br /&gt;
&lt;br /&gt;
== Web Links ==&lt;br /&gt;
[http://epigraphy.packhum.org/inscriptions/oi?ikey=14387&amp;amp;bookid=5&amp;amp;region=1&amp;amp;subregion=71 Greek text, from PHI.]&lt;br /&gt;
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== Image(s) ==&lt;br /&gt;
Conze plate CCVI. &lt;br /&gt;
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Posamentir (2001) figures 13-15. &lt;br /&gt;
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Posamentir (2006) figures 21.1-21.9. &lt;br /&gt;
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 &lt;/div&gt;</summary>
		<author><name>Admin ukepig</name></author>	</entry>

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